Work Area
Museums, Museum History, and Material Culture
I have worked in many museums. As an undergraduate I worked at the MIT Museum. In graduate school at the University of Chicago I worked at the Adler Planetarium. Back to the Boston area, I was curator at the Charles River Museum of Industry in Waltham, Massachusetts. In 1984 I was hired as a historian for the Engines of Change exhibit at the National Museum of American History, and I stayed there working on many exhibits and building collections in the history of technology for about twenty years. At Brown, I taught many courses about museums and museum history and was director of the Haffenreffer Museum of Anthropology. I continue to do museum consulting, too, from the Brooklyn Navy Yard to the New Bedford Whaling Museum. Now, my exhibit work is mostly at the Little Compton Historical Sociey.

Writing on museums and museum history
- Inside the Lost Museum: Curating, Past and Present, (Cambridge: Harvard University Press, 2017)
- Guest co-editor, Museum History Review, for special issue on lost museums, ed. with Lukas Rieppel, Kate Duffy and Ann Daly, January 2017.
- Legacies: Collecting America’s History at the Smithsonian, with Kathleen Kendrick (Washington: Smithsonian Institution Press, 2001)
- Guest co-editor, The Public Historian, for special issue on industrial history museum, ed. with Stephen Cutcliffe, Summer 2000
- History from Things: Essays on Material Culture, ed. with W. David Kingery (Washington: Smithsonian Institution Press, 1993)
- “‘Relicts’ and ‘A ton of significant Attitude’: History at Museums and Universities,” Organization of American Historians Newsletter, August 1991
- “Exhibiting Memories,” in Museum News, July/August 1996
- “What Do We Keep?” in American Heritage of Invention and Technology 1999 14 (4): 28-31, 34-38 (with Peter Liebhold)
- “The Challenge of Industrial History Museums,” with Stephen H. Cutcliffe, guest editors’ introduction to theme issue of The Public Historian 2000 22 (3): 11-24
- “Industrial Museums: Artifacts and Stories,” in Proceedings of the Second International Conference on History of Technology, (United Nations University, Tokyo, 2004)
- “Curator as Auteur,” The Public Historian, 36, February 2014
- “Looking through the Skiascope: Benjamin Ives Gilman and the Invention of the Modern Museum Gallery,” Panorama: Journal of the Association of Historians of American Art, Summer 2017
- “The Find-Me-Another Machine,” in The Museum Blog Book, 2017
- “Cataloging History,” four-part series on Medium, 2017 (with Emily Esten)
- “Museums need collections and connections,” Medium, 2018
- “Cabinets of Curiosity,” Medium, 2018
- “Exhibiting Absence,” Medium, 2018
Selected exhibitions
- Co-curator, “Engines of Change, The American Industrial Revolution, 1790-1860,” permanent exhibition at the National Museum of American History, 1986
- Co-curator, “Information Age,” a permanent exhibition at the National Museum of American History, 1990
- Curator, designer and builder, “A History of Western Montgomery County,” for Concerts in the Country and the Boyds-Clarksburg Historical Society, 1990
- Co-curator, “Who’s in Charge: A History of Workers and Managers in the United States,” SITES traveling exhibition, 1992, and revised installation, National Museum of American History, 1996
- Co-curator, “The Smithsonian’s America,” large temporary exhibition in Tokyo, 1994
- Co-curator, “Images of Steel,” temporary exhibition at the National Museum of American History, 1994-1995
- Curator and project director, “World War II: Sharing Memories,” temporary exhibition at the National Museum of American History, 1995
- Co-curator and project director, “The Family Car,” temporary exhibition at the National Museum of American History, 1997
- Co-curator and project director, “Communities in a Changing Nation” permanent exhibition at the National Museum of American History, 1999
- Co-curator, “American Legacies,” permanent exhibition at the National Museum of American History, unfunded and not scheduled for production
- Smithsonian coordinator, National Museum of Industrial History, Bethlehem, Pennsylvania, 1999-2004
- Co-curator and project director, “From Turbines to Tupperware: Industrial Drawings from the Smithsonian,” temporary exhibit at the Payne Gallery, Moravian College, Bethlehem, Pennsylvania, 2001-2002
- Co-curator and project director, “America on the Move,” permanent exhibition at the National Museum of American History, opening 2003
- Co-curator and project director, “Doodles, Drawings, and Designs: Industrial Drawings from the Smithsonian Institution Collections,” SITES traveling exhibition, 2004
- Curator, “Facing the Museum,” Haffenreffer Museum of Anthropology, 2012
- Curator, “CultureLab,” Haffenreffer Museum of Anthropology, 2012
- Co-Curator, “Little Compton: A Changing Landscape,” Little Compton Historical Society, 2019
- Co-Curator, “Everyone was a Farmer: A History of Agriculture in Little Compton,” Little Compton Historical Society, 2021
- Project oversight, “Little Compton, Connected,” Little Compton Historical Society, 2024
Blog posts on museums and museum history
- Revolutionary Little Compton: The Semiquincentary at a Local History MuseumIt’s the summer of the semiquincentenial, and no self-respecting historical organization can escape without some acknowledgement of the American Revolution. Anniversaries, especially big-deal anniversaries like this one, are generally not a good occasion for good history. And indeed, the national celebration has been, for the most part, a complete disaster.… Read more: Revolutionary Little Compton: The Semiquincentary at a Local History Museum
- Vibe-coding for local historyAI makes it possible to write interesting and useful programs even if you don’t know how to code. Describe what you want, wait a few minutes, and wow! Here’s your site. It’s called “vibe coding.” It’s not quite that easy. The first draft appears in a minute or two. It… Read more: Vibe-coding for local history
- Teaching curatorial work and developing an exhibition, at the same timeThe semester is over and the exhibit is open, on time and on budget, and it’s been well-received. I think it’s pretty good. But it’s been a complicated journey to get to this point, and it seems worthwhile to think about why, and what I might learn from the process.… Read more: Teaching curatorial work and developing an exhibition, at the same time
- Difficult and Different Histories[Here’s the short talk I gave at Wesleyan University’s Center for the Study of Guns and Society workshop on Theories, Practices, and Pedagogies of Telling Difficult Histories in Museum Exhibits. A wonderful group! ] There have been a few surveys that are useful for understanding what visitors think about museums… Read more: Difficult and Different Histories
- Short videos on collectionsTwo more short videos prepared for my “Methods in Public Humanities” course. These address museum collections, one on registration and one on online access to collections. They’re designed as background for my students, but might be more generally useful. They join a larger group of short videos on exhibitions, here.… Read more: Short videos on collections
- Exhibition How-to VideosRemote teaching this fall meant figuring how to reduce in-class lectures, and so I recorded some of the talks I would normally give in class. And once recorded – why not share them? What you’ll find here are short talks about how to do exhibits. They are aimed at students… Read more: Exhibition How-to Videos
- Little Compton Landscape StoriesLast year (summer 2019) the Little Compton Historical Society took on the topic of landscapes. (Each year the organization focuses on a different topic.) We edited a book on Little Compton landscapes. (Available here.) We did an exhibition that showed off maps, landscape paintings, and some of the tools that… Read more: Little Compton Landscape Stories
- New essay: Exhibiting AbsenceI’ve posted to Medium a new essay, on the challenges (and possibilities!) of exhibiting things museums don’t actually have. Sometimes, an exhibition developer wants to call attention to the absence of an object from the collection. (Fred Wilson famously did this in “Mining the Museum,” and museums have called attention… Read more: New essay: Exhibiting Absence
- Leave the Durham memorial on the ground[originally published on Medium] Aug 15, 2017 Leave the Durham memorial on the ground I’ve been teaching about memorials for over a decade. My goal has always been to help students understand the historical nuance of memorials: what they meant when they were constructed, the political processes that shaped them, the ways… Read more: Leave the Durham memorial on the ground
- Announcing a new timeline of museum historyI’m pleased to announce a new timeline of museum history. The timeline starts in the 17th century, with the 1628 Gallery of Cornelis van der Geest and Ole Worm’s 1655 Museum Wormianum, and comes up to the present day (Decolonize this Museum! and the Museums Change Lives campaign). It includes… Read more: Announcing a new timeline of museum history
- Lost Museums, in Museum History JournalAn article in Museum History Journal, co-authored with Lukas Rieppel, Kathrine Duffy, and Ann Daly. Open access now. When it goes behind a paywall, ask me for an access code if you’re interested.
- Museums are places to forgetMuseums are places to forget. An essay, illustrated with poems and images, on the ways that museums are used to forget things that society would prefer not to remember, and the ways in which museum forget things they should remember. On Medium. https://medium.com/@lubar/museums-are-places-to-forget-ba76a92c5701
- New book!I’m thrilled to announce that my new book is almost out! You can pre-order it on Amazon! Find it at an independent bookseller at IndieBound! Read all about it at the Harvard University Press site! Available in July! Great blurbs! My deep thanks to Lonnie Bunch and Richard Kurin for their kind words: “In… Read more: New book!
- Catalog History: The New York Crystal PalaceA four part series on Medium, “Cataloging History,” on the history and practice of museum catalogs, focusing on the publications of the 1853 New York Crystal Palace fair: Part 1: A brief history of American museum catalogs to 1860 Part 2: The New York Crystal Palace Catalogs Part 3: Catalog as Book,… Read more: Catalog History: The New York Crystal Palace
- What might historic preservation learn from museums?Every year, the Providence Preservation Society sponsors a symposium on key issues in historic preservation. This year’s symposium, on the fiftieth anniversary of the 1966 historic preservation act, asked: Why Preserve? From the introduction: The 2016 Providence Symposium, Why Preserve?, will bring together experts from across the nation as well… Read more: What might historic preservation learn from museums?
- “Collecting and Collections” course & stamp exhibitHead over to the John Nicholas Brown Center for Public Humanities blog for a post Sarah Dylla and I wrote about our course last semester, AMST1510, Museum Collecting and Collections. And head over to the John Hay Library where you can see the course exhibition, Thousands of Little Colored Windows: Brown University’s Stamp Collections.… Read more: “Collecting and Collections” course & stamp exhibit
- Design Objects in Museums[my talk to the Questioning Aesthetics Symposium, RISD, March 2015] The call for papers placed this conference in the context of RISD’s recent interest and success in “transcending traditional disciplinary boundaries to encourage more holistic, multi-faceted approaches to art and design practice.” In my talk I’d like to focus on disciplinary boundaries… Read more: Design Objects in Museums
- The Whaling Museum’s Collections Development Plan, done!The Jacobs Family Gallery at the New Bedford Whaling Museum. From Wikimedia Commons https://en.wikipedia.org/wiki/File:Kobo.jpg It’s done! For the past year or so I’ve been working with staff and other Collections Committee members at the New Bedford Whaling Museum on a new collections development plan. It’s been an interesting experience. Collections… Read more: The Whaling Museum’s Collections Development Plan, done!
- Considering the 9/11 Memorial Museum: One visit, three ways(some advice I gave my students before our visit last week, updated after the visit) When you visit the museum—when you visit any museum—try to examine it in three different ways, to look at it through three different lenses. First, consider it as a member of the general public. Next,… Read more: Considering the 9/11 Memorial Museum: One visit, three ways
- A class about collectionsWe’re halfway through the semester, and my collections class is deep into the stamp exhibition project. I’m teaching a course titled “Museum Collecting and Collections.” There are three projects: the Brown University’s Library extensive stamp collections the paintings that came to Brown with the Annmary Brown Memorial, and scientific instruments scattered across… Read more: A class about collections
- The dark ride (on search)For a search engine to work well, it needs to know where to look. The streetlight effect offers a common metaphor. The drunk man searches under the streetlight because that’s where it’s easiest to find things. In a search of a museum collection database, we can search most easily,… Read more: The dark ride (on search)
- The Find-me-another machine (On Search)[my presentation at the RISD Museum / Haffenreffer Museum of Anthropology “On Search” Conference] I’d like to tell you about the new machine I just invented. It’s called the “find me another” machine. The portable version I brought with me happens to be just the right size for the objects… Read more: The Find-me-another machine (On Search)
- Building a skiascope“The theoretic value of the skiascope is incontestable.” —Benjamin Ives Gilman In his Museum Ideals of Purpose and Method (1918 ), Gilman gives detailed instructions for making a skiascope, a device that will allow museum to see paintings and sculptures more clearly, by blocking… Read more: Building a skiascope
- “Today’s Museum: Innovation, Change, and Challenge”Here’s the presentation I gave at the Mathers Museum’s “Museums at the Crossroads: Local Knowledge, Global Encounters” workshop last week. More on the workshop here. It was a delightful event: smart people from around the world thinking about the future of museums. Video and more coming soon.
- “The Curator Rules”These are the slides and my notes from my talk at Marymount University, the Bissel Lecture in the Humanities, presented April 10 as part of the Virginia Humanities Conference. My thanks to Tonya Howe for the invitation, to Marymount for their hospitality, and to the audience for its good questions.… Read more: “The Curator Rules”
- Exhibit and exhibit labels workshopI talked to the “Methods in Public Humanities” class today about exhibitions. A very quick overview, and didn’t even get to the how-to-write-good-labels part of the talk. Here are my presentations, on exhibits generally, and on exhibit labels, slightly cleaned up but without much in the way of notes.
- History of museum exhibitions; a Pinterest experimentWhen I taught a course on the history of museums, I found it useful to have a ready source of historical images of exhibitions from the past 500 years of so. As an experiment, I added Pinterest to my workflow. It’s extremely easy to add an image to a Pinterest… Read more: History of museum exhibitions; a Pinterest experiment
- The Curator RulesMuseum curators have certain ways of doing things, certain rules they follow. It’s important to know what these rules are – and also to realize that they can be broken. These are notes from my talk to Catherine Whalen and Sarah Carter’s “Curatorial Practice as Experiment” course at Bard Graduate… Read more: The Curator Rules
- Writing about the past, thinking about the future: National Museum of American HistoryMy article on the history and philosophy of collecting at the National Museum of American History has been published in the Federal History Journal. The issue is freely available, here, and my essay is here. It’s a good issue: I especially recommend the article by Margo Anderson, “Public Management of Big Data: Historical Lessons… Read more: Writing about the past, thinking about the future: National Museum of American History
- “Museum Histories” course, Spring 2015Here’s the syllabus for my upcoming course, AMST1903I. It’s a history of museums, mostly American, history and science as well as art. The syllabus includes links to many of the articles, but you’ll find some are behind paywalls. Any feedback welcome!
- Joint Statement from Museum Bloggers and Colleagues on Ferguson and related eventsI am pleased to join a group of distinguished museum folks in this statement about the role of museums in addressing contemporary issues. The public humanities puts community at the center of its theory and asks: How might cultural institutions be useful to community? The recent events help to focus that… Read more: Joint Statement from Museum Bloggers and Colleagues on Ferguson and related events
- Collecting the History of Technology at the National Museum of American HistoryCollecting for history museums is challenging work, and there needs to be more research and writing on both its history and how to do it. We need to understand how and why collections came to museums; what decisions that shaped collections they hold today? And we need to talk more about… Read more: Collecting the History of Technology at the National Museum of American History
- My talk at Mt. Holyoke: Looking Back and Looking AheadHere are my slides and my notes from a talk I gave at Mt. Holyoke College for the (long name!) Five Colleges, Inc. / Andrew W. Mellon Foundation Bridging Initiative in the Public and Applied Humanities. I greatly enjoyed the opportunity, both because writing the talk allowed me to look… Read more: My talk at Mt. Holyoke: Looking Back and Looking Ahead
- Museumbots: An AppreciationMeet the museumbot. Museumbots tweet random objects from museum collections, four or five objects a day. I know of three museumbots, and I’m sure there are more. @museumbot tweets Metropolitan Museum of Art collections, @cooperhewittbot, and @bklynmuseumbot their eponymous museums’ collections. Here’s the last few objects from @museumbot, as good… Read more: Museumbots: An Appreciation
- Beautiful DataI spent the last two weeks of June at Beautiful Data, a workshop funded by the Getty Foundation and run by Harvard’s MetaLab. I’m not sure why the name, “Beautiful Data”: but it seems fair, given that the workshop address both data about beautiful things and data made beautiful by… Read more: Beautiful Data
- Call for Papers: Lost Museums ColloquiumIn conjunction with the year-long exhibition project examining Brown University’s lost Jenks Museum, the John Nicholas Brown Center for Public Humanities and Cultural Heritage, the Haffenreffer Museum of Anthropology, and the John Carter Brown Library invite paper proposals for a colloquium on lost artifacts, collections and museums. (Other formats—conceptual, poetic,… Read more: Call for Papers: Lost Museums Colloquium
- Jenks Society for Lost MuseumsI’ve been blogging over at the Jenks Society for Lost Museums. You can see my thoughts on curatorial poetry and “Report on the food of the robin” and on taxidermy workshops, as well as reflections on the legacy of Prof. Jenks. And also many other reflections and considerations by fellow… Read more: Jenks Society for Lost Museums
- 50 Years of Collecting at the National Museum of American HistoryHere’s the talk I wrote for the National Council on Public History conference at the end of March. It’s a piece of a longer work in progress on the history of the museum’s collections. This talk focuses on the the philosophical and bureaucratic contexts of the collecting at the museum. A… Read more: 50 Years of Collecting at the National Museum of American History
- “An olla podrida of queer things pining away its sweetness in the desert air of the Brooklyn Navy Yard”By popular demand, the full text of the article about the Brooklyn Naval Lyceum that appeared in the New York Times in 1852. It’s a very odd article. More about it, and the Naval Lyceum, in my article, brand new in Museum History Journal.
- 21st-Century History of Technology: Fashioning a Usable PastYesterday the MIT Museum and the Hagley Museum and Library ran a fascinating workshop on “Doing the History of Technology in the 21st Century.” The workshop, at the MIT Museum, brought together historians, museum curators, public humanists, and more to talk about how the history of technology is changing – and… Read more: 21st-Century History of Technology: Fashioning a Usable Past
- One Room (The after post)Well, I enjoyed it. The audience was mostly RISD Museum staff – not much of a surprise, given the topic. Interesting to them, less so to the general museum-visiting public. My two hours was mostly conversation. I had imagined actually doing serious work on my visualizing project. Instead, it was… Read more: One Room (The after post)
- One Room (The before post)I’m about to start my gig at Office Hours, the RISD Museum program “where invited artists, designers, performers, and other community members creatively curate, teach, and experiment through a variety of participatory events.” That’s the official description. In the publicity, it’s “artists, designers, experts, and brainiacs.” I’m not sure what… Read more: One Room (The before post)
- History museums, learning from historyCan museums use museum history to think about the future? Can their past successes and failures guide them? How might they find possibility and potential in the past when they need to change? I suggest that one way to do this is to look to the long history of museums.… Read more: History museums, learning from history
- LeGrand Lockwood, Early AdopterBack in April I gave a talk at the Lockwood-Mathews Mansion Museum in Norwalk, Connecticut. They’ve done a very nice exhibition about the technology of the day, focusing on some of the remarkable technologies Lockwood put into his 1864 home. My talk focused on what Lockwood and others of his… Read more: LeGrand Lockwood, Early Adopter
- Authenticity, and bearsThe scene: Roger Williams Natural History Museum, Providence, Rhode Island. A group of twenty third-graders has just arrived. The docent settles them down, tells them to use their inside voices and their walking shoes. But one boy can’t wait. His hand shoots up as soon as the docent asks for… Read more: Authenticity, and bears
- Creative Providence: Past, Present and Future. An NEH Grant Proposal.We’re submitting a planning grant to the NEH for a new program that will link Providence’s creative past with its creative future. Here’s a summary: The Brown Center for Public Humanities seeks $34,100 to cover the costs of planning and testing a series of pop-up installations and events that tie… Read more: Creative Providence: Past, Present and Future. An NEH Grant Proposal.
- Should you get a Ph.D to work in a history museum? – Part 1Should you get an MA or Ph.D to work in a history museum? I talk to many students interested in museum work. They ask about what training they should get for this. My story is pretty straight now. For better or worse, an MA seems to be necessary to get… Read more: Should you get a Ph.D to work in a history museum? – Part 1
- Museum criticism, inside and out(a response to the conversation at museumgeek.wordpress.com.) An important question, and you do a good job of getting at the basic challenge. Insiders pull their punches. Outsiders take potshots. Insiders have something to sell. Outsiders don’t understand the politics and the practicalities. I’ve been both a museum insider and an… Read more: Museum criticism, inside and out
- A rock’s storyI’ve been following closely (this may sound odd) the story of a rock. Not just any rock, and not just any story. It’s a rock on Mars, and it’s been tweeting. So, a first-person Martian rock story. You can see the whole thing here, storified. The rock is sitting happily… Read more: A rock’s story
- “Teaching and Learning with Art and Artifact” presentation
- “Facing the Museum,” Completed!I’ve written about Faces – now called “Facing the Museum” several times on this blog. It started with the discover of several century-old “ethnographic busts” in the attic of the museum’s Collection Research Center, became more interesting as we teased out the stories of the busts, and then expanded into… Read more: “Facing the Museum,” Completed!
- White ceiling or black ceiling?What color should the ceiling of a museum be? The museum has a white ceiling now. It makes it space brighter, and I’m sure that’s why it was chosen. But it also calls attention to a clutter of lighting fixtures. Through the magic of photoshop, we can make it black:… Read more: White ceiling or black ceiling?
- From the Brown Daily Herald on the Haffenreffer Museum(from the Brown Daily Herald) Hidden gems abound at the Haffenreffer Elizabeth Koh Staff Writer Published: Tuesday, February 7, 2012 Sam Kase / HeraldThe Haffenreffer Museum of Anthropology features over 1 million artifacts. With his bushy white hair, active Twitter feed and hipster glasses, Steven Lubar, professor of American studies, is not… Read more: From the Brown Daily Herald on the Haffenreffer Museum
- Cataloging in PublicCultureLab is almost done, and we’re refining the activities we’ll start off with. We’ve got artifacts for a half-dozen courses there, ready for students to study. And we’ve got a few hands-on kits in the works. And we’ve been exploring the possibilities of cataloging-in-public. We’ll bring uncataloged materials from our Collections Research… Read more: Cataloging in Public
- Process and ProductThe last six weeks have been winter break at Brown. And it’s been an incredibly busy time at the Haffenreffer Museum. Good? Yes, in terms of product. We’ve accomplished a great deal. Two new exhibits installed, a lot of design completed. It’s easier to get things done when there are… Read more: Process and Product
- An update on “Facing the Museum”I’ve written before about the discovery of “ethnographic busts” in the museum’s collection, and about my plans to use them as an introduction to the Museum. The plan has been percolating, slowly, and it’s time for an update. One reason things at museums take a long time is that it’s… Read more: An update on “Facing the Museum”
- A new introduction to the museumAnthropology museums are not easy places to explain. For those who know about the history of the anthropology, they carry a lot of baggage, a long history of exoticising the other, of scientific racism, of cultural and social evolution. For those just walking in off the street, it’s very easy… Read more: A new introduction to the museum
- What I want from my collections management systemOne of the first problems I identified on becoming director of the museum was its collections management system. It infuriated me. The interfaces were arcane. The data was imprisoned in a proprietary system – one that seemed designed to make reports difficult and information sharing impossible. It was complicated, to… Read more: What I want from my collections management system
- “Ethnographical busts”This plaster cast is one of eight in the collection of the Haffenreffer Museum. They’re a bit of a mystery; there’s no paperwork on them. And they’re not the sort of thing the museum traditionally collected. They came from the American Museum of Natural History, in New York, in the… Read more: “Ethnographical busts”